Domenico del Barbieri

Domenico del Barbieri (1506 – 1570) was a Florentine artist of the Renaissance period, also referred to as Domenico del Barbiere, Domenico Fiorentino, and, in France,Dominique Florentin.

He settled and married at Troyes in France between 1530 and 1533. He joined the studio of Italian artists who worked with Primaticcio and Rosso Fiorentino at Fontainebleau and Meudon. He worked both on the stucco-work and frescoes. He was also an engraver.

In 1541, he returned to Troyes, where he enjoyed success as a sculptor for churches. His style of sculpture was influenced, particularly in the heads and the drapery, by Andrea Sansovino, and shows Mannerist characteristics. His Charity, at St. Pantaléon in Troyes, suggests that del Barbieri was aware of the contrapposto style of Michelangelo. His relief work for the tomb of Claude, Duke of Guise (died 1550), reveals the possible influence of Rosso and of Francesco Salviati.

Under the direction of Primaticcio, del Barbieri executed the base for the monument for the heart of Henry II of France, the figures for which were sculpted by Germain Pilon. Pilon may have been influenced in the flowing drapery of the figures of the Three Graces by del Barbieri’s work. The monument was del Barbieri’s last known commission.

Domenico del Barbieri was a Florentine artist of the Renaissance period, also referred to as Domenico del Barbiere, Domenico Fiorentino, and, in France,Dominique Florentin.

He settled and married at Troyes in France between 1530 and 1533. He joined the studio of Italian artists who worked with Primaticcio and Rosso Fiorentino at Fontainebleau and Meudon. He worked both on the stucco-work and frescoes. He was also an engraver.

In 1541, he returned to Troyes, where he enjoyed success as a sculptor for churches. His style of sculpture was influenced, particularly in the heads and the drapery, by Andrea Sansovino, and shows Mannerist characteristics. His Charity, at St. Pantaléon in Troyes, suggests that del Barbieri was aware of the contrapposto style of Michelangelo. His relief work for the tomb of Claude, Duke of Guise, reveals the possible influence of Rosso and of Francesco Salviati.

Under the direction of Primaticcio, del Barbieri executed the base for the monument for the heart of Henry II of France, the figures for which were sculpted by Germain Pilon.