Thomas Dewing

Thomas Wilmer Dewing (May 4, 1851 – November 5, 1938) was an American painter working at the turn of the 20th century Schooled in Paris, Dewing was noted for his figure paintings of aristocratic women He was a founding member of the Ten American Painters and taught at the Art Students League of New York The Freer Gallery of Art at the Smithsonian Institution has a collection of his works He was the husband of fellow artist Maria Oakey Dewing

He was born in Boston, Massachusetts and was a lithographic apprentice as a boy or young man He studied at the Académie Julian in Paris with Gustave Boulanger and Jules Lefebvre beginning in 1887 “There he learned an academic technique; the careful delineation of volumetric form and meticulous but subtle evocation of texture were to be constant features of his work”

He moved to New York in 1880 where he met and married Maria Oakey Dewing, an accomplished painter with extensive formal art training and familial links with the art world[citation needed] They had a son who died while an infant In 1885 their daughter Elizabeth was born The Dewings spent their summers at the Cornish Art Colony in New Hampshire from 1885 to 1905

Upon his return to the United States from France in 1878, Dewing returned to Boston The following year he painted Morning, a composition of two women dressed in Renaissance gowns, which is said by biographer Ross C Anderson to have the quality of Pre-Raphaelite paintings and emotion of a James McNeill Whistler work He began teaching at the Art Students League of New York in 1881, the same year he married Maria Oakley

He is best known for his tonalist paintings, a genre of American art that was rooted in English Aestheticism Dewing’s preferred vehicle of artistic expression is the refined, aristocratic female figure situated in a moody and dreamlike surrounding Often seated playing instruments, writing letters, or simply communicating with one another, Dewing’s sensitively portrayed figures have a detachment from the viewer that keeps the spectator a remote witness to the scene rather than a participant

He was elected into the National Academy of Design in 1888 Dewing was a founding member of the Ten American Painters in 1898, a group of artists who seceded from the Society of American Artists in 1897 He joined the Society of Landscape Painters, founded in 1899, where he was more aligned with other Tonalist artists

Key collectors of his works were John Gellatly and Charles Lang Freer

He did not paint much after 1920 and lived out his later years in his Cornish, New Hampshire home His wife died in 1927 in New York City and Dewing died in New York in 1938

A noted Dewing scholar and curator is Susan A Hobbs, who co-authored The Art of Thomas Wilmer Dewing: Beauty Reconfigured and co-curated a 1996 exhibition of his works of the same name with Dr Barbara Dayer Gallati Until that time it was the largest retrospective of his works; 70 paintings—oils, watercolors, silverpoints and pastels— were shown at the Brooklyn Museum of Art, National Museum of American Art in Washington, D C and the Detroit Institute of Arts The shows ran from March 1996 through January 1997 The exhibition was made possible from funding from The Overbrook Foundation, the David Schwartz Foundation, and the National Endowment for the Arts

His works are in private collections and museums in the United States At the Freer Gallery of the Smithsonian Institution, a room is devoted to Dewing’s paintings

Works:
Thomas Wilmer Dewing, The Days, 1886/1887
Thomas Wilmer Dewing, Summer, 1890, Smithsonian American Art Museum
The White Dress
Woman in Black: Portrait of Maria Oakey Dewing, oil on panel, 1887
Lady in Gold, 1912, Brooklyn Museum